my work moves between the visual avant-garde, utopian and dystopian literature, historical pain, and everyday dark humour

i am interested in how beauty, silence, monstrosity, movement, diplomacy, and technocracy reorganise what becomes visible, as well as in what anomalous cases reveal about otherwise normal structures and systems

Category: Japan Focus

  • This long essay was published in The Asia Pacific Journal | Japan Focus (Cambridge Core/Open Access, 2024). Artist Tetsu Takeda left Japan for America in 1986 and returned to Japan in 2011. Shortly after the Fukushima nuclear disaster, Takeda started identifying himself as a β€œprofessional artist” and only doing β€œhigh art” by rethinking life and our role as human beings…