my work moves between the visual avant-garde, utopian and dystopian literature, historical pain, and everyday dark humour — at times returning to a distinctly Wildean aestheticism

i am interested in how beauty, monstrosity, money, diplomacy, surveillance, and technocratic power reorganise what becomes visible

Category: Hooliganism

  • This commissioned essay was published in Burlington Contemporary (2026). […] The exhibition does not attempt to empty the titular label of political meaning, but rather translates it into the codes of display: what appears in the galleries is what can be stabilised as image or memory. Here, political art is not silenced, but rerouted, freed from…