👀 projects & publications

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my work moves between the visual avant-garde, utopian and dystopian literature, historical pain, and everyday dark humour

i am interested in how beauty, silence, monstrosity, movement, diplomacy, and technocracy reorganise what becomes visible, as well as in what anomalous cases reveal about otherwise normal structures and systems

    Category: Private Collection

    • White Rabbit’s Hooligans

      This commissioned essay was published in Burlington Contemporary (2026). […] The exhibition does not attempt to empty the titular label of political meaning, but rather translates it into the codes of display: what appears in the galleries is what can be stabilised as image or memory. Here, political art is not silenced, but rerouted, freed from…