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my work moves between the visual avant-garde, utopian and dystopian literature, historical pain, and everyday dark humour

i am interested in how beauty, silence, monstrosity, movement, diplomacy, and technocracy reorganise what becomes visible, as well as in what anomalous cases reveal about otherwise normal structures and systems

    No Pain, No Exit

    Endurance and the Limits of Critique

    Published in Critical Asian Studies (Commentary Board, June 2026)

    […] Pain is not eliminated but reorganized, absorbed into systems of value, expectation, and identity. If suffering becomes a measure of worth, its absence invites suspicion: ease appears as complacency, rest as weakness, refusal as failure. Alternatives recede not through prohibition but through moral reconfiguration. What remains is a condition in which pain no longer interrupts life, but defines it.

    Liu Chengrui, Sad, 2016. Performance and Photograph, 120*80cm. Image courtesy of the artist.

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