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my work moves between the visual avant-garde, utopian and dystopian literature, historical pain, and everyday dark humour

i am interested in how beauty, silence, monstrosity, movement, diplomacy, and technocracy reorganise what becomes visible, as well as in what anomalous cases reveal about otherwise normal structures and systems

Published in Made in China Journal (February 2026)

[…] If the ‘farms’ once promised a digital utopia — an imagined community freed from state control — they now embody a more unsettling truth about contemporary populism: that participation can itself become a form of capture.

Jonas Staal, Steve Bannon: A Propaganda Retrospective, 2018. Installation view at Het Nieuwe Instituut, Rotterdam. Image courtesy of the artist.

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